Nathan Davis – The Hip Walk – Review – (Test: Vinyl AAA, Tape Horch House (Reel to reel) and Tidal Max Flac 24 92 ). Is the tape still the reference?

The Hip Walk was recorded in 1965 and is considered one of Nathan Davis’ best albums. Jimmy Woode (bass), Kenny Clarke (drums) and Francy Boland (piano) also played on this album. It’s been a while since I wanted to add a test of an album including a magnetic tape in comparison with vinyl and aContinue reading “Nathan Davis – The Hip Walk – Review – (Test: Vinyl AAA, Tape Horch House (Reel to reel) and Tidal Max Flac 24 92 ). Is the tape still the reference?”

Does analog media force a dynamic on music? or Does Analog Media increase the dynamics?

Previously in the dynamics of music, we saw the difference between the dynamics of the medium and the dynamics of the music, as well as the effects of dynamic compression on the music in terms of distortion.Today, we will approach another aspect, that of the impact of the dynamics on the recording on tape orContinue reading “Does analog media force a dynamic on music? or Does Analog Media increase the dynamics?”

Dynamics of the media and music

The dynamics, i.e. the difference between the lowest and the highest level, is an important element of music. However it is important to distinguish the dynamics of the media (CD, vinyl, tape, SACD, digital file) and the dynamics of the track of music itself which can be independent of the media. Let us start withContinue reading “Dynamics of the media and music”

How to mix in Dolby Atmos or master an SACD from a tape, visit of DES Studio (Part2)

Poussin (artist name) welcomes us in his studio to present us the different parts of his work as a sound engineer in his different activities such as mixing, Dolby Atmos Mix, Mastering and Audio Preservation. Poussin’s Digital Encoding System Studio exists since 2000 and is specialized in : the digitization of tape preservation, more thanContinue reading “How to mix in Dolby Atmos or master an SACD from a tape, visit of DES Studio (Part2)”

From tape to Dolby Atmos, SACD, visit of DES Studio (Part1)

Today Poussin (artist name) welcomes us in his studio to present us the different parts of his work as a sound engineer in his different activities such as mixing, Dolby Atmos Mix, Mastering and Audio Preservation. Poussin’s Digital Encoding System Studio exists since 2000 and is specialized in : the digitization of tape preservation, moreContinue reading “From tape to Dolby Atmos, SACD, visit of DES Studio (Part1)”