MusicTech

Nagra REFERENCE ANNIVERSARY TURNTABLE (for 70 years of Nagra) – Review

In parallel with the Paris Audio Video Show (PAVS) at the Palais des congrès de Paris, Acoustic Gallery proposed with Nagra the presentation and the listening of the Nagra REFERENCE ANNIVERSARY turntable on a Nagra electronics system. The Nagra REFERENCE ANNIVERSARY turntable was designed specifically for Nagra’s 70th anniversary. 4 years of work were neededContinue reading “Nagra REFERENCE ANNIVERSARY TURNTABLE (for 70 years of Nagra) – Review”

Cutting the lacquer of an audiophile vinyl – After The Rain

AKELSON had already proposed a first vinyl Piuma, today, it proposes a new piano album After The Rain with Thomas Schirmann. The particularity of AKELSON (which was founded by Raoul) is to propose the vinyl version and the master version (here in 32 bits floating and 88.2 kHz) studio which is used for the realizationContinue reading “Cutting the lacquer of an audiophile vinyl – After The Rain

MOFI Analog or Digital sources? List of sources (updated on October 1st) .

The MOFI case, which has been on the internet for more than 10 days, shows that the management of master tapes is indeed a real problem today, because these tapes are aging and have been used many times. This is why, for the preservation of our heritage, we also digitalise the multi-track tapes that wereContinue reading “MOFI Analog or Digital sources? List of sources (updated on October 1st) .”

Digital Factory Auditorium – Music and movies in Dolby Atmos

During the visit to the DES Studio, we talked about that the finalization of the Atmos mixes for the cinema were done in the Digital Factory Auditorium. It is in this Auditorium of the Digital Factory that we are going today, I thank Frederic (Chief Operating Officer) and Fabrice (Sound Engineer) for their welcome andContinue reading “Digital Factory Auditorium – Music and movies in Dolby Atmos”

How to mix in Dolby Atmos or master an SACD from a tape, visit of DES Studio (Part2)

Poussin (artist name) welcomes us in his studio to present us the different parts of his work as a sound engineer in his different activities such as mixing, Dolby Atmos Mix, Mastering and Audio Preservation. Poussin’s Digital Encoding System Studio exists since 2000 and is specialized in : the digitization of tape preservation, more thanContinue reading “How to mix in Dolby Atmos or master an SACD from a tape, visit of DES Studio (Part2)”

From tape to Dolby Atmos, SACD, visit of DES Studio (Part1)

Today Poussin (artist name) welcomes us in his studio to present us the different parts of his work as a sound engineer in his different activities such as mixing, Dolby Atmos Mix, Mastering and Audio Preservation. Poussin’s Digital Encoding System Studio exists since 2000 and is specialized in : the digitization of tape preservation, moreContinue reading “From tape to Dolby Atmos, SACD, visit of DES Studio (Part1)”

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This MusicTech page is dedicated to the description of the technical and technology aspects that are implemented for the creation and for the restitution of the music.

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