Previously in the dynamics of music, we saw the difference between the dynamics of the medium and the dynamics of the music, as well as the effects of dynamic compression on the music in terms of distortion.Today, we will approach another aspect, that of the impact of the dynamics on the recording on tape orContinue reading “Does analog media force a dynamic on music? or Does Analog Media increase the dynamics?”
Category Archives: MusicTech
Loudness war, the limit of the 0dB in digital or Analog better than Digital?
By convention, in digital, the 0 dB level is the highest possible level, impossible to go above this “absolute zero”. This is why the values are given by counting down from 0 dB, -10 dB as in the example below. From digital point of view, the 0 dB corresponds to the highest possible value accordingContinue reading “Loudness war, the limit of the 0dB in digital or Analog better than Digital?”
Dynamics of the media and music
The dynamics, i.e. the difference between the lowest and the highest level, is an important element of music. However it is important to distinguish the dynamics of the media (CD, vinyl, tape, SACD, digital file) and the dynamics of the track of music itself which can be independent of the media. Let us start withContinue reading “Dynamics of the media and music”
MOFI Analog or Digital sources? List of sources (updated on December 10) .
The MOFI case, which has been on the internet for more than 10 days, shows that the management of master tapes is indeed a real problem today, because these tapes are aging and have been used many times. This is why, for the preservation of our heritage, we also digitalise the multi-track tapes that wereContinue reading “MOFI Analog or Digital sources? List of sources (updated on December 10) .”
Nagra REFERENCE ANNIVERSARY TURNTABLE (for 70 years of Nagra) – Review
In parallel with the Paris Audio Video Show (PAVS) at the Palais des congrès de Paris, Acoustic Gallery proposed with Nagra the presentation and the listening of the Nagra REFERENCE ANNIVERSARY turntable on a Nagra electronics system. The Nagra REFERENCE ANNIVERSARY turntable was designed specifically for Nagra’s 70th anniversary. 4 years of work were neededContinue reading “Nagra REFERENCE ANNIVERSARY TURNTABLE (for 70 years of Nagra) – Review”
Cutting the lacquer of an audiophile vinyl – After The Rain
AKELSON had already proposed a first vinyl Piuma, today, it proposes a new piano album After The Rain with Thomas Schirmann. The particularity of AKELSON (which was founded by Raoul) is to propose the vinyl version and the master version (here in 32 bits floating and 88.2 kHz) studio which is used for the realizationContinue reading “Cutting the lacquer of an audiophile vinyl – After The Rain“
Digital Factory Auditorium – Music and movies in Dolby Atmos
During the visit to the DES Studio, we talked about that the finalization of the Atmos mixes for the cinema were done in the Digital Factory Auditorium. It is in this Auditorium of the Digital Factory that we are going today, I thank Frederic (Chief Operating Officer) and Fabrice (Sound Engineer) for their welcome andContinue reading “Digital Factory Auditorium – Music and movies in Dolby Atmos”
How to get your vinyl cutted?
Today the vinyl is back and the new albums are released in this format. But, there is also an offer of vinyl cutting by unit ( to cut your compilation or an album not published on vinyl) or in small quantities without the constraint of having to produce several hundreds of copies. It is inContinue reading “How to get your vinyl cutted?”
How to mix in Dolby Atmos or master an SACD from a tape, visit of DES Studio (Part2)
Poussin (artist name) welcomes us in his studio to present us the different parts of his work as a sound engineer in his different activities such as mixing, Dolby Atmos Mix, Mastering and Audio Preservation. Poussin’s Digital Encoding System Studio exists since 2000 and is specialized in : the digitization of tape preservation, more thanContinue reading “How to mix in Dolby Atmos or master an SACD from a tape, visit of DES Studio (Part2)”
From tape to Dolby Atmos, SACD, visit of DES Studio (Part1)
Today Poussin (artist name) welcomes us in his studio to present us the different parts of his work as a sound engineer in his different activities such as mixing, Dolby Atmos Mix, Mastering and Audio Preservation. Poussin’s Digital Encoding System Studio exists since 2000 and is specialized in : the digitization of tape preservation, moreContinue reading “From tape to Dolby Atmos, SACD, visit of DES Studio (Part1)”
Magic Vinyl vs Digital 