Irish artist Sinéad O’Connor, whose recent death has left the music world in mourning, made a stunning international breakthrough with her second album “I Do Not Want What I Haven’t Got”, unveiled in 1990. The critically acclaimed opus included the iconic single “Nothing Compares 2 U”, a poignant cover of a Prince song. With its memorable video featuring a close-up of her face in tears, the song became a worldwide hit. The album, reflecting her powerful voice and artistic sensibility, confirmed Sinéad’s status as one of the most influential voices of her generation.
For this review, you will find 6 versions tested: vinyl, CD, Qobuz, Qobuz Deluxe Version, Amazon and Tidal.
This test compares the quality of an album on a physical support (CD, vinyl) and streaming. Are we sure we’re getting the best possible quality from the album when we listen to it via streaming?
Below you will find the description of the different editions, as well as the measurements of each edition in the following chapters.
The synthesis of the review and the samples are available here
The album is composed of 21 tracks:
- Feel So Different
- I Am Stretched on Your Grave
- Three Babies
- The Emperor’s New Clothes
- Black Boys on Mopeds
- Nothing Compares 2 U
- Jump in the River
- You Cause as Much Sorrow
- The Last Day of Our Acquaintance
- I Do Not Want What I Haven’t Got
- Night Nurse *
- My Special Child *
- Damn Your Eyes *
- Silent Night (Long Version)
- You Do Something to Me *
- Mind Games *
- What Do You Want *
- I Am Stretched on Your Grave (Apple Brightness Mix)
- Troy *
- I Want Your (Hands on Me) (Live at the Hammersmith Odeon, 25 May 1990)
- The Value of Ignorance *
* Only available on Deluxe Version
First we will analyze each edition in detail (technical and qualitative analysis), then we will compare the successive editions with their dynamics and assign a final score, and you will be able to listen some samples.
The streaming versions may evolve over time, those presented here correspond to the version tested at the date of publication, or update of the review.
Review of the editions:
Part 1: Presentation of the editions
Part 2 : Waveform and dynamique comparaison
Parts 3 : Spectrum comparisons
Part 4 : Spectrogram comparaisons>
Part 5 : Summary, scoring and Sample
Part 1: presentation of the editions
Ed 1: Vinyl – 1990
Presentation
The original 1990 vinyl contains 10 songs from the album’s release, and weighs 140g (ref: 210547 – 4007192105472).



Ed 2: CD – 1990
Presentation
The original 1990 CD with booklet containing song lyrics (ref: CDP32 1759-2 — 094632175922)


Ed 3: Qobuz – 1990
Presentation
The Qobuz version is presented in 16-bit 44.1 kHz.

Ed 4: Qobuz (Deluxe Version) – 2009
Presentation
The Qobuz version (Deluxe Version) contains 11 additional tracks. This version is presented in 16-bit 44.1 kHz.

Ed 5: Amazon – 1990
Presentation
The Amazon version is presented in 16-bit 44.1 kHz.

Ed 6: Tidal – 1990
Presentation
The Tidal version is presented in 16-bit 44.1 kHz.

Part 2 : Waveform and dynamic comparaisons
Waveform
The waveform represents tracks of this album.
The vinyl and CD waveforms below are highly dynamic, as shown by the wide variation in sound levels on the curves. This is confirmed by the DR measurements, DR14 for vinyl and DR15 for CD.


The waveform of the streaming version of Qobuz, Qobuz (Deluxe Version), Amazon, Tidal clearly shows the zones with an almost constant maximum level (yellow zone), demonstrating the use of a brickwall limiter, as confirmed by the DR (DR10 and DR9 for the Deluxe Version). Not shown here, the same characteristics are found for the Apple Music version and the other Deluxe Versions.




The curves below compare waveforms for the song “The Emperor’s New Clothes”. CD and vinyl are the most dynamic versions. For the streaming versions (standard and Deluxe), we can clearly see the effect of the limiter, which caps the maximum peak level. The Deluxe version is the one most affected by the use of a limiter. All 4 waveforms are adjusted to the same sound level of -16.7 LUFS.

Dynamic
Dynamic represents the ability to reproduce a wide range of sounds from the softest to the loudest. The target is to compare the dynamics of the music and not of the media (CD, digital files or vinyl).
For our 6 editions reviewed have obtained the following Dynamic Range (DR) :
| Vinyl – 1990 | CD – 1990 | Qobuz – 1990 | Qobuz (Deluxe Version) – 2009 | Amazon – 1990 | Tidal – 1990 | |
| Global | DR14 | DR14 | DR10 | DR9 | DR10 | DR10 |
| Min | DR12 | DR11 | DR7 | DR7 | DR7 | DR7 |
| Max | DR15 | DR16 | DR12 | DR12 | DR12 | DR12 |
| Feel So Different | DR12 | DR13 | DR10 | DR8 | DR10 | DR10 |
| I Am Stretched on Your Grave | DR15 | DR14 | DR10 | DR10 | DR10 | DR10 |
| Three Babies | DR12 | DR11 | DR10 | DR9 | DR10 | DR10 |
| The Emperor’s New Clothes | DR14 | DR15 | DR11 | DR9 | DR11 | DR11 |
| Black Boys on Mopeds | DR15 | DR15 | DR12 | DR12 | DR12 | DR12 |
| Nothing Compares 2 U | DR14 | DR14 | DR8 | DR9 | DR8 | DR8 |
| Jump in the River | DR13 | DR14 | DR12 | DR9 | DR12 | DR12 |
| You Cause as Much Sorrow | DR13 | DR13 | DR12 | DR9 | DR12 | DR12 |
| The Last Day of Our Acquaintance | DR14 | DR14 | DR10 | DR9 | DR10 | DR10 |
| I Do Not Want What I Haven’t Got | DR15 | DR16 | DR7 | DR7 | DR7 | DR7 |
| Night Nurse * | ||||||
| My Special Child * | ||||||
| Damn Your Eyes * | ||||||
| Silent Night (Long Version) | ||||||
| You Do Something to Me * | ||||||
| Mind Games * | ||||||
| What Do You Want * | ||||||
| I Am Stretched on Your Grave (Apple Brightness Mix) | ||||||
| Troy * | ||||||
| I Want Your (Hands on Me) (Live at the Hammersmith Odeon, 25 May 1990)* | ||||||
| The Value of Ignorance * |
The Dynamiqye Range measurement classifies the versions into 2 categories: – the original Cd and vinyl, which are the most dynamic DR14/DR15 versions. – all streaming versions are limited in dynamic range with a DR9/DR10.
As a reminder, the scale goes from 0 to more 20, but the dynamics are considered good from 12, quite good between 10 and 11, and deteriorate below 10.
Part 3 : spectrum comparisons
Spectrum
The Spectrum allows to check the tonal balance of the music (balance between treble, medium and bass sounds) and to detect process that may have been carried out during the recording, the mixing, mastering or manufacturing phases. It is also possible to detect frequency interference issues.
The graph below compares the vinyl spectrum (white curve) with the spectrum of the stereo streaming version (blue curve). The curves overlap perfectly up to 8 kHz, and beyond this frequency (yellow zone), there is very little variation (approx. 1 dB) between the two curves up to 20 kHz. The yellow arrow indicates the maximum CD frequency at 22 kHz, due to the 44.1 kHz sampling frequency.

The graph below compares the spectrum of the Amazon version (white curve) with the spectrum of the CD version (blue curve). We can see an increase in bass levels (green zone) of up to 3dB and in treble levels (yellow zone) of up to 4dB for the Amazon version. The remastered version is therefore used for Amazon.

The graph below compares the spectrum of the Qobuz Deluxe Version (white curve) with the spectrum of the Qobuz Version (blue curve). We can see an increase in bass levels (green zone) of up to 3dB and in treble levels (yellow zone) of up to 4dB for the Qobuz version compared with the Qobuz Deluxe Version. It is therefore not the same masters that are used for these two versions. The Qobuz version uses the remastered version, while the Qobuz Deluxe Version is based on the original version (without preserving the dynamics).

The graph below compares the spectrum of the Qobuz Deluxe Version (white curve) with the spectrum of the CD version (blue curve). The two curves overlap perfectly. The Qobuz Deluxe Version is based on the original CD version (without affecting dynamics).

The graph below compares the Amazon spectrum (white curve) with the Tidal spectrum (blue curve). The two curves overlap perfectly.

The graph below compares the Qobuz spectrum (white curve) with the Tidal spectrum (blue curve). The two curves overlap perfectly.

Part 4 : Spectrogram comparaisons
Spectrogram
Spectrogram is another representation of frequency versus time of a track. For each channel (right and left), horizontal axis represents time, and the vertical axis represents frequency. The amplitude is represented by the intensity (brightness) of the color of each point in the image.
The vinyl spectrogram below shows that the frequencies of the audio signal rise above 20 kHz (yellow arrow). The signal above 20kHz (white arrow) is due to distortion caused by the vinyl’s playback principle.

The spectrograms of the digital versions (CD and streaming) are limited in frequency to 22.1kHz (yellow arrow) with no signal above (white arrow). This limitation is due to the 44.1kHz sampling frequency used for the CD and streaming of this album.





Part 5 : Summary, scoring and Samples
Ed 1: Vinyl – 1990
The vinyl version (like the CD version) retains the dynamics of the original recording, with the differences in sound level between the different tracks allowing us to rediscover the spirit of the original recording. The vinyl version boasts excellent spatialization, with very natural vocals and a slightly warmer vinyl sound than the CD.
Rating:
- Dynamic: ●●●●● (5)
- Bandwidth: ●●●●● (5)
- Surface noise: ●●●●o (4)
- Restitution: ●●●●o (4)
Sample : ”Nothing Compares 2 U” 24 bits 88.2 kHz:
Ed 2: CD – 1990
The CD version (like the CD version) retains the dynamics of the original recording, with all the motives at the levels defined at the time, bringing the original recording to life. The CD is clean, clearly dynamic, with a mature presence of voice. This is the best digital version of this album.
Rating:
- Dynamic: ●●●●● (5)
- Bandwidth: ●●●●o (4)
- Restitution: ●●●●o (4)
Sample : ”Nothing Compares 2 U” 16 bits 44.1 kHz:
Ed 3: Qobuz – 1990
The Qobuz version uses a remastered version that brings more bass and treble detail. But this version is also limited in dynamics, bringing out the energy of the lower end of the spectrum. However, in addition to the use of the limiter, a strong level accentuation has been applied on the softest morcals, breaking the overall rendering of the original album. The same version can be found on Amazon, Tidal and Apple.
Rating:
- Dynamic: ●●●oo (3)
- Bandwidth: ●●●●o (4)
- Restitution: ●●●oo (3)
Sample : ”Nothing Compares 2 U” 16 bits 44.1 kHz:
Ed 4: Qobuz (Deluxe Version) – 2009
The Qobuz Deluxe Version is based on the original version, bringing the sound balance closer to CD and vinyl. However, this version is also limited in dynamics, bringing out the energy of the lower end of the spectrum. In addition to the use of the limiter, a strong level accentuation has been applied to the softest morcals, breaking the overall rendering of the original album.
Rating:
- Dynamic: ●●ooo (2)
- Bandwidth: ●●●●o (4)
- Restitution: ●●ooo (2.5)
Sample : ”Nothing Compares 2 U” 16 bits 44.1 kHz:
Ed 5: Amazon – 1990
Sound rendering is similar to the Qobuz and Tidal versions.
Rating:
- Dynamic: ●●●oo (3)
- Bandwidth: ●●●●o (4)
- Restitution: ●●●oo (3)
Sample : ”Nothing Compares 2 U” 16 bits 44.1 kHz:
Ed 6: Tidal – 1990
Sound rendering is similar to the Qobuz and Amazon versions.
Rating:
- Dynamic: ●●●oo (3)
- Bandwidth: ●●●●o (4)
- Restitution: ●●●oo (3)
Sample : ”Nothing Compares 2 U” 16 bits 44.1 kHz:
With the sound level recommendations of streaming services (Amazon, Apple, Tidal, Qobuz), you’d expect a streaming version to be dynamic, especially for a 90s album. But this is not at all the case, as the streaming versions make use of limiters to increase the sound level of songs at lower levels. The spirit of the original album is lost. You’ll have to go back to the original CD to find the original dynamic recording, or to the original vinyl, which provides a beautiful rendering.
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Detail of the ratings :
- Dynamic :
- Significant dynamic compression, DR less than 7
- Compression of the present dynamics, DR between 7 and 9.
- Correct piece DR >=10
- No dynamic compression (DR >12), dynamic rendering
- No dynamic compression, high DR and very dynamic sound rendering
- Spectrum :
- Spectrum cut and less than 15 khz
- Spectrum cut at 15 khz
- Spectrum not conforming to the original and cut (not HD) or original but limited bandwidth (but less than 20 kHz)
- Spectrum conforming to the original (but not HD)
- Spectrum conforming to the original with HD resolution (higher than 24kHz)
- Surface noise (only for vinyl):
- Continuous audible noise
- Audible surface noise except on passages with a high level of noise
- Reduced surface noise, barely audible on low level crossings
- Low surface noise, very good quality
- Very low surface noise, no defects, almost inaudible on the quiet passages (exceptional disc)
- Spatialization :
- Between 0 and 5 for 5.1 or 7.1 channels configuration
- Between 0 and 10 for Atmos configuration (7.1.4)
- For more information on spatialization, you can read the article describing this parameter here.
- Restitution :
- Low quality of the restitution mixing dynamics, clarity, separation of voices and instruments.
- Average quality of the restitution mixing dynamics, clarity, separation of voices and instruments.
- Quality of the restitution mixing dynamics, clarity, separation of voices and instruments. Good record.
- High quality of the restitution mixing dynamics, clarity, separation of voices and instruments. Very high level disc.
- Maximum quality of the restitution mixing dynamics, clarity, separation of voices and instruments. Exceptional disc.