The Bridge is the 15th studio album as a solo artist de Sting. The album has 10 songs, but has 3 extra songs in the Deluxe version. With an exception for the Japanese version which has 14 songs!
Updated on January 8, 2022 with the Japanese cd and the Tidal streaming release.
You can find the measurements of each edition in the different parts and listen to the samples of these albums here.
This album includes 13* tracks :
- Rushing Water
- If It’s Love
- The Book Of Numbers
- Loving You
- Harmony Road
- For Her Love
- The Hills On The Border
- Captain Bateman
- The Bells Of St. Thomas
- The Bridge
- Waters Of Tyne
- Captain Bateman’s Basement
- (Sittin’ On) The Dock Of The Bay
- I Guess the Lord Must Be in New York City*
*The 14th track “I Guess the Lord Must Be in New York City” is a Japanese Exclusive Bonus Track.
We will review 5 editions (Vinyl, japanese CD, Streaming Qobuz, Amazon Atmos Binaural and Tidal) of this album.
First we will analyze each edition in detail (technical and qualitative analysis) then we will compare the successive editions with their dynamics and assign a final score and you will be able to listen some samples.
Review of the editions:
Part 1: Presentation of the editions
Part 2 : Waveform and dynamique comparaison
Parts 3 : Spectrum comparisons
Part 4 : Spectrogram comparaisons
Part 5 : Summary, scoring and Sample
Part 1: presentation of the editions
Ed1 : Vinyl ref 00602438586547 – 2021
Presentation
It is a very nice vinyl Deluxe proposed here in its double black LP version.





Label | A&M Records |
Reference | 00602438586547 |
Format (speed) | Double LP Deluxe at 33.3 RPM |
Type | Double LP |
Master | Digital |
Mastering/Pressing | Mastered By – Gene Grimaldi |
Original recording | Digital 24-44.1kHz |
State | EU |
Year original | 2021 |
Year production | 2021 |
Ed2 : Streaming Qobuz Hi-Res – 2021
Presentation
This is the Streaming Qobuz proposed in Hi-Res(24 bits 48kHz).

Label | A&M Records |
Reference | Streaming Qobuz Hi-Res |
Format (speed) | Streaming Digital |
Type | 24 bits 48 kHz |
Master | Digital |
Mastering/Pressing | Mastered By – Gene Grimaldi |
Original recording | Digital 24-48kHz |
State | EU |
Year original | 2021 |
Year production | 2021 |
Ed3 : Streaming Amazon Dolby Atmos binaural – 2021
Presentation
This is the Streaming Amazon Dolby Atmos proposed in Binaural for headphone listening.

Label | A&M Records |
Reference | Streaming Amazon Dolby Atmos |
Format (speed) | Streaming Dolby Atmos Binaural |
Type | Stereo binaural |
Master | Digital |
Mastering/Pressing | Mastered By – Gene Grimaldi |
Original recording | Digital |
State | EU |
Year original | 2021 |
Year production | 2021 |
Ed4 : Japanese CD ref UICY-79755 – 2021
Presentation
It is a very nice Japanese Bridge Deluxe Limited Edition proposed here with CD and DVD.
The CD includes a bonus track “I Guess the Lord Must Be in New York City”. The DVD includes generic and track by track interview, and Music Videos (If its Love, Rushing Water).
The box includes also 2 posters and a little books.






Label | A&M Records |
Reference | UICY-79755 |
Format (speed) | CD SHM-CD + DVD |
Type | CD 16 bits 44.1kHz |
Master | Digital |
Mastering/Pressing | Mastered By – Gene Grimaldi |
Original recording | Digital 24-44.1kHz |
State | Japan |
Year original | 2021 |
Year production | 2021 |
Ed5 : Streaming Tidal Master – 2021
Presentation
This is the Streaming TIDAL proposed in Master MQA (24 bits 48kHz).

Label | A&M Records |
Reference | Streaming Master MQA |
Format (speed) | Streaming Digital MQA encoded |
Type | 24 bits 48 kHz decoded in PCM 24 bits 96 kHz by Audirvana |
Master | Digital |
Mastering/Pressing | Mastered By – Gene Grimaldi |
Original recording | Digital 24-48kHz |
State | US |
Year original | 2021 |
Year production | 2021 |
Part 2 : Waveform and dynamic comparaisons
Waveform
The waveform represents all the tracks of the album.
The Ed1 vinyl differs from the digital version stereo (Ed2) by a much more dynamic signal without compression of the maximum levels.

The wafeforms of Ed2 Qobuz is compressed like Tidal (Ed5) and other streaming services not presented here. Flat areas present the maximum sound levels with compression (yellow zone).



The Ed3 Dolby Atmos Binaural version is the most dynamic of the four digital versions reviewed.

Dynamic
Dynamic represents the ability to reproduce a wide range of sounds from the softest to the loudest.
For our 5 editions we have obtained the following Dynamic Range (DR):
Ed1: Vinyl | Ed2: Qobuz | Ed3: Amazon Atmos Binaural | Ed4: CD Japan | Ed5: Tidal | |
GLOBAL | DR10 | DR6 | DR11 | DR6 | DR6 |
Min | DR9 | DR5 | DR9 | DR5 | DR5 |
Max | DR12 | DR9 | DR12 | DR9 | DR9 |
Rushing Water | DR10 | DR5 | DR11 | DR5 | DR5 |
If It’s Love | DR10 | DR5 | DR12 | DR5 | DR5 |
The Book Of Love | DR9 | DR5 | DR9 | DR5 | DR5 |
Loving You | DR11 | DR7 | DR9 | DR7 | DR7 |
Harmony Road | DR10 | DR6 | DR11 | DR6 | DR6 |
For Her Love | DR9 | DR6 | DR9 | DR6 | DR6 |
The Hills On The Border | DR11 | DR6 | DR11 | DR6 | DR6 |
Captain Bateman | DR10 | DR5 | DR10 | DR5 | DR5 |
The Bells Of St. Thomas | DR12 | DR9 | DR11 | DR8 | DR8 |
The Bridge | DR10 | DR8 | DR11 | DR9 | DR9 |
Waters Of Tyne | DR9 | DR8 | DR11 | DR8 | DR8 |
Captain Bateman’s Basement | DR10 | DR6 | DR12 | DR6 | DR6 |
(Sittin’ On) The Dock Of The Bay | DR10 | DR6 | DR11 | DR6 | DR6 |
I Guess the Lord Must Be in New York City | DR5 |
This is a new hierarchy in the ranking of the most dynamic versions, the Ed3 Dolby Atmos is the most dynamic (DR11), followed by the vinyl (DR10) and in last position, the digital stereo version (Streaming and CD) with a much lower score (DR6).
As a reminder, the scale goes from 0 to more 20, but the dynamics are considered good from 12, quite good between 10 and 11, and deteriorate below 10.
Part 3 : spectrum comparisons
Spectrum
The Spectrum allows to check the tonal balance of the music (balance between treble, medium and bass sounds) and to detect process that may have been carried out during the recording, the mixing, mastering or manufacturing phases. It is also possible to detect frequency interference issues.
The curve represents the average frequency distribution over the sample “The Book Of Numbers”.
The curve of the Ed1 vinyl is similar to that of Qobuz Ed2. There is a small decrease above 5 kHz of 1 or 2 dB (yellow arrow) and almost the same level around 50 Hz.

In the graph below, the curves of the Ed2 Streaming Stereo and Ed4 Japanese CD are strictly identical, with only a difference in the cutoff frequency at 22 kHz for the CD and 24 kHz for the Streaming. This is due to the difference in sampling frequencies of 48 kHz for streaming and 44.1 kHz for CD.

The Ed5 Tidal is identical to the Ed2 Qobuz except above 48 kHz where the MQA decoding generates spectrum aliasing (Red area) due to the decoding of MQA by Audirvana in 96 kHz (imposed by the MQA format) and not 48 kHz. It is the same phenomenon that we found and described in detail for the album 30 of Adele.

The Ed3 Atmos Binaural version is similar on almost all the spectrum with however a 2 or 3 dB higher level in the low register (white arrow) compared to the Ed2 Qobuz stereo version. The yellow arrow shows the 20 KHz cutoff of the Ed3 Dolby Atmos Binaural version versus 24 KHz of the Ed2 Qobuz stereo version.

Part 4 : Spectrogram comparaisons
Spectrogram
Spectrogram is another representation of frequency versus time of a track. For each channel (right and left), horizontal axis represents time, and the vertical axis represents frequency. The amplitude is represented by the intensity (brightness) of the color of each point in the image.
For the spectrogram of the Ed1 vinyl, the yellow arrow shows the limit is below 20 kHz (the sampling frequency of the master). The white arrow shows the harmonics created by the vinyl playback method.

The streaming Qobuz show the frequency limit at 24 kHz (yellow arrow) . The black area (white arrow) shows that there is no signal above 24 kHz, which is normal for a 48 kHz sampling rate.

Unlike the Ed2 Qobuz, for the Ed4 Tidal, the white arrow shows interfering frequencies due to decoding MQA (in 96 kHz and not 48 kHz) and not a black area indicating an absence of signal that should be normal above 24 kHz (yellow arrow) because of a 48 kHz sampling rate for the original master.

The CD show the frequency limit at 22 kHz (yellow arrow) . The black area (white arrow) shows that there is no signal above 22 kHz, which is normal for a 44.1 kHz sampling rate.

The streaming Amazon Dolby Atmos Binaural show the frequency limit at 20 kHz (yellow arrow) . The black area (white arrow) shows that there is no signal above 20 kHz, which is normal for a 48 kHz sampling rate of the Dolby Atmos.

Part 5 : Summary, scoring and Samples
Ed1 : Vinyl ref 00602438586547 – 2021
The vinyl pressing is good with reduced surface noise.
The vinyl version is much more open and detailed than the digital stereo version. The voices are more natural and there is more dynamics. This is particularly evident in the second half of the sample, where there are more dynamics and better attacks.
- Rating:
- Dynamic: ●●●oo (3/5)
- Bandwidth: ●●●●o (4/5)
- Surface Noise: ●●●●o (4/5)
- Restitution: ●●●●o (4/5)
- Sample : “The Book Of Numbers” vinyl 24 bits 88.2 kHz :
Ed2 : Streaming Qobuz Hi-Res – 2021
The Streaming version is really very compressed. It is as obvious on listening as on measurements. This version lacks finesse and openness.
- Rating:
- Dynamic: ●oooo (1/5)
- Bandwidth: ●●●●o (4/5)
- Restitution: ●●●oo (3/5)
- Sample : “The Book Of Numbers” Streaming Qobuz 24 bits 48 kHz :
Ed3 : Streaming Amazon Dolby Atmos binaural – 2021
Here is the version in Dolby Atmos Binaural. This version marks immediately by its dynamics, its opening and the separation of the instruments. This binaural version is made for a listening to the headphones, and brings a more pleasant rendering than the stereo versions. But, it is necessary to get accustomed to these new Atmos mixes.
- Rating:
- Dynamic: ●●●oo (3.5/5)
- Bandwidth: ●●●●o (4/5)
- Restitution: ●●●●o (4/5)
- Sample : “The Book Of Numbers” Streaming Amazon Dolby Atmos Binaural :
Ed4 : CD Japan ref UICY-79755 – 2021
The CD version like the streaming is really very compressed. We find a similar sound to the streaming.
The packaging is superb for this CD edition which would have deserved a level of audio quality equal to the quality of the presentation.
- Rating:
- Dynamic: ●oooo (1/5)
- Bandwidth: ●●●●o (4/5)
- Restitution: ●●●oo (3/5)
- Sample : “The Book Of Numbers” Streaming CD 16 bits 44.1kHz :
Ed5 : Streaming Tidal Master – 2021
Like Qobuz Streaming (Ed2), the Tidal Streaming MQA version is also highly compressed. We are in full loudness war with this ultra compressed master.
- Rating:
- Dynamic: ●oooo (1/5)
- Bandwidth: ●●●●o (4/5)
- Restitution: ●●●oo (3/5)
- Sample : “The Book Of Numbers” Streaming Tidal 24 bits 96 kHz :
Very beautiful album, which for a listening in stereo gives the best result with vinyl with a more alive and natural rendering. It is the version to be privileged compared to the digital stereo compressed version (Streaming Qobuz ,Tidal and CD). For headphone listening, the Dolby Atmos Binaural version which brings more openness and precision, is the version to be preferred with its mix slightly different from the stereo version.
Detail of the ratings :
- Dynamic :
- Significant dynamic compression, DR less than 7
- Compression of the present dynamics, DR between 7 and 9.
- Correct piece DR >=10
- No dynamic compression (DR >12), dynamic rendering
- No dynamic compression, high DR and very dynamic sound rendering
- Spectrum :
- Spectrum cut and less than 15 khz
- Spectrum cut at 15 khz
- Spectrum not conforming to the original and cut (not HD) or original but limited bandwidth (but less than 20 kHz)
- Spectrum conforming to the original (but not HD)
- Spectrum conforming to the original with HD resolution (higher than 24kHz)
- Surface noise (only for vinyl):
- Continuous audible noise
- Audible surface noise except on passages with a high level of noise
- Reduced surface noise, barely audible on low level crossings
- Low surface noise, very good quality
- Very low surface noise, no defects, almost inaudible on the quiet passages (exceptional disc)
- Restitution :
- Low quality of the restitution mixing dynamics, clarity, separation of voices and instruments.
- Average quality of the restitution mixing dynamics, clarity, separation of voices and instruments.
- Quality of the restitution mixing dynamics, clarity, separation of voices and instruments. Good record.
- High quality of the restitution mixing dynamics, clarity, separation of voices and instruments. Very high level disc.
- Maximum quality of the restitution mixing dynamics, clarity, separation of voices and instruments. Exceptional disc.
Sting – The Bridge – Review
Bonjour Jean-François,
Merci pour tout ce travail.
De fait, l’arrivée du Dolby Atmos entamerait il l’une des révolutions les plus fulgurantes de l’univers musical depuis la stéréo?
Juste une petite remarque, la track list citée est celle de l’album Nevermind de Nivarna, de même, le titre du morceau en exemple est “The book of numbers” et non ‘Come as you are’.
Au plaisir de vous lire,
FP
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Boujour François,
Très bonne question concernant le Dolby Atmos, en tout cas c’est une nouvelle manière de mixer et de retranscrire la musique, et cela semble plus suivi que la music en 5.1 (SACD, DVD-A) .
Merci pour la remarque, j’ai mis à jour le test. Et effectivement, Nevermind de Nivarna sera l’un des prochains tests.
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