Star Wars – The Mandalorian and Grogu (Streaming Dolby Atmos)

Spatialization SP: ●●●●●●oooo (6.5) , SK: ●●●●●ooooo (4.9) – Dynamique: ●●●●o (4) – Global: ●●●●o (4)

As is often the case, the Dolby Atmos version offers the widest dynamic range derived from the original music recording. Credit for this goes to Dolby Laboratories, which set a maximum average level of -18 LUFS. This difference is clearly noticeable compared to the stereo version. The Dolby Atmos mix also offers an immersive listening experience with a very pleasant soundstage, featuring sound movement and panning effects on certain tracks, while on others maintaining a primarily forward-focused balance and making full use of the side channels. It is unfortunate that no Dolby TrueHD-encoded version is available, as a lossless format would have brought even more finesse and precision to the reproduction.

Rating:

• Dynamic: ●●●●o (4)
• Bandwidth: ●●●●o (4)
• Spatialization SP: ●●●●●●oooo (6.5) , SK: ●●●●●ooooo (4.9)
• Restitution: ●●●●o (4)

Below the spatialization for all tracks. Click on the images to zoom in.

Waveform ,Spectrum and Dynamique: DR13 (Min: DR11, Max: DR16)

The waveform of the Tidal Dolby Atmos – 2026 shows a high range confirmed with DR13.

The spectrogram of the Tidal Dolby Atmos track in 9.1.6 is limited to 20kHz with no signal above. This limitation is due to Dolby Digital Plus encoding, which is a lossy encoder that limits bandwidth to optimize data size for a bit rate of 768 kbits/s. The bass channel (LFE) is filtered at 120 Hz.

The graph below represents the spectrum of the Tidal Dolby Atmos – 2026.
The spectrum of Dolby Atmos version decoded in 7.1 shows that all channels are used. The LFE channel is used with a cutoff frequency of 120 Hz (green arrow). The white arrow indicates the high-frequency limit at 20 kHz due to Dolby Digital Plus encoding. The high-frequency limit is 24 kHz due to encoding at the 48 kHz sampling frequency used.

Detail of the ratings :

• Dynamic :
  1. Significant dynamic compression, DR less than 7
  2. Compression of the present dynamics, DR between 7 and 9.
  3. Correct piece DR >=10
  4. No dynamic compression (DR >12), dynamic rendering
  5. No dynamic compression, high DR and very dynamic sound rendering
• Spectrum :
  1. Spectrum cut and less than 15 khz
  2. Spectrum cut at 15 khz
  3. Spectrum not conforming to the original and cut (not HD) or original but limited bandwidth (but less than 20 kHz)
  4. Spectrum conforming to the original (but not HD)
  5. Spectrum conforming to the original with HD resolution (higher than 24kHz)
• Surface noise (only for vinyl):
  1. Continuous audible noise
  2. Audible surface noise except on passages with a high level of noise
  3. Reduced surface noise, barely audible on low level crossings
  4. Low surface noise, very good quality
  5. Very low surface noise, no defects, almost inaudible on the quiet passages (exceptional disc)
• Spatialization :
  • Between 0 and 5 for 5.1 or 7.1 channels configuration
  • Between 0 and 10 for Atmos configuration (7.1.4)
  • For more information on spatialization, you can read the article describing this parameter here.
• Restitution :
  1. Low quality of the restitution mixing dynamics, clarity, separation of voices and instruments.
  2. Average quality of the restitution mixing dynamics, clarity, separation of voices and instruments.
  3. Quality of the restitution mixing dynamics, clarity, separation of voices and instruments. Good record.
  4. High quality of the restitution mixing dynamics, clarity, separation of voices and instruments. Very high level disc.
  5. Maximum quality of the restitution mixing dynamics, clarity, separation of voices and instruments. Exceptional disc.