Direct Cutting – Magic of Analog, Vinyl, Digital and Spatial Sound

Tsuyoshi Yamamoto Trio – A Shade Of Blue – Review – (Test: vinyl record, SACD Stereo and 5.1, CD, Tidal MAX Flac, Downloaded FLAC 5.1 in 24/96, MP4 Dolby Atmos, MKV Dolby Atmos TrueHD ), recorded for spatial sound

The Tsuyoshi Yamamoto Trio is back with a new album, “A Shade Of Blue”. After releasing their “Misty for Direct Cutting” album as a Direct to Disc album in analog and digital, Tsuyoshi Yamamoto Trio returns with a captation designed for space sound recording. The aim is to deliver a sound similar to that foundContinue reading “Tsuyoshi Yamamoto Trio – A Shade Of Blue – Review – (Test: vinyl record, SACD Stereo and 5.1, CD, Tidal MAX Flac, Downloaded FLAC 5.1 in 24/96, MP4 Dolby Atmos, MKV Dolby Atmos TrueHD ), recorded for spatial sound”

“MISTY for Direct Cutting” was recorded in May 2021 to commemorate the 100th anniversary of Errol Garner’s birth. For this album of Tsuyoshi Yamamoto Trio, direct cutting was used for both analog and digital. For Direct Cutting in analogic, the recorded sound is engraved on a lacquer board in real time. For the digital, theContinue reading “Tsuyoshi Yamamoto Trio – Misty for Direct Cutting Review (LP Analog and from DSD, MQA-CD, Streaming Amazon)”